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Gregory Harris

Gregory Harris
Donald and Marilyn Keough Family Curator of Photography

Gregory Harris is the High Museum of Art’s Donald and Marilyn Keough Family Curator of Photography. He is a specialist in contemporary photography with a particular interest in documentary practice. Since joining the Museum in 2016, Harris has curated over a dozen exhibitions including Mark Steinmetz: Terminus (2018), Paul Graham: The Whiteness of the Whale (2017), and Amy Elkins: Black is the Day, Black is the Night (2017). For the Museum’s 2018 collection reinstallation, he surveyed a broad sweep of the history of photography through prints from the High’s holdings in Look Again: 45 Years of Collecting Photography. His collaborative projects have included Way Out There: The Art of Southern Backroads (2019), a joint exhibition with the High’s folk and self-taught art department.

Harris was previously the Assistant Curator at the DePaul Art Museum in Chicago, where he curated exhibitions including Sonja Thomsen: Glowing Wavelengths in Between (2015), The Sochi Project: An Atlas of War and Tourism in the Caucasus (2014), and Studio Malick: Portraits from Mali (2012). He also organized and authored catalogues for the exhibitions We Shall: Photographs by Paul D’Amato (2013), Matt Siber: Idol Structures (2015), and Liminal Infrastructure (2015).

Harris also held curatorial positions at the Art Institute of Chicago, where he organized the exhibitions In the Vernacular (2010) and Of National Interest (2008). His essay “Photographs Still and Unfolding” was published in Telling Tales: Contemporary Narrative Photography (McNay Art Museum, San Antonio, 2016). Harris has contributed essays to monographs by Amy Elkins, Matthew Brandt, Jill Frank, and Mark Steinmetz. He earned a BFA in photography from Columbia College Chicago and an MA in art history from the School of the Art Institute of Chicago.

 

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